Her eyes are wide as she takes in her surroundings before Henry tells her, that everything she sees is all for her. Greeted by the help, they are ushered inside where Elizabeth meets Claire and Oliver for the very first time. The young effervescence Elizabeth has just married an older Henry and they arrive at his extravagant mansion. In the opening scenes, the narrative looks like it’s played all its cards. Played by Abby Lee, her red hair and joyful innocence are immediately a stark contrast to her odd living arrangements. Everything about the lighting and colors is dark and ominous and then there’s Elizabeth. In a single-location film, the cinematography is beautifully sterile. It feels like many other movies with similar storylines but maintains its mystery until the final act. Elizabeth Harvest is a movie that draws you in the further it goes along. Although there’s nothing wrong with the latter film, the two are incomparable on any playing field. It’s hard to believe director-writer Sebastian Gutierrez is responsible for both Elizabeth Harvest and Snakes on a Plane. If ever there was a film to go into blind, The Skin I Live In will give you that ‘No, Way!’ moment you are looking for.Ĥ when getting shaved is the least of your problems out of 5Ĭiarán Hinds as Henry and Abbey Lee as Elizabeth in Elizabeth Harvest 2018 Elizabeth Harvest Movie Review Overall The Skin I Live In is cinematically brilliant, the editing is constructed to ensure you get the jaw-dropping disbelief moment I’m sure was intended. It’s something that simply adds fuel to the already burning story. With regard to this information and the story at hand, the fact that Robert has a brother he doesn’t know is only something the audience knows. Although details are scant about Marilia’s past there’s just enough information to know it’s not a straightforward scenario. Lastly, the role of his mother sees that all the essential roles are connected in a completely dysfunctional way. For him, his science will fix everything that has gone wrong in his life. For Ledgard, the punishment he dreams of suits his endeavors across the board. His daughter Norma thinks her own father attacked her and her father considers her a child. Was it a heinous assault or a reaction to her sudden screams? Was Vicente guilty of common assault or sexual assault? It’s not shown whether Vicente committed a crime against Norma or whether he bailed straight after knocking her out. How you feel about Vicente’s fate will depend on what you think happens considering the ambiguous nature of his scene with Norma. The Skin I Live In is very much a character-driven story. The knock-on effect that Gal’s death causes begins with the loss of his daughter, mentally.Īntonio Banderas in La piel que habito (2011) The Skin I Live In Like Eyes Without a Face But Not Until she gets involved in a horrific accident after leaving Ledgard for another man, the brilliant scientist’s reputation isn’t completely tarnished. Played by Antonio Banderas, his relationship with his wife Gal is left to the imagination. Firstly, Ledgard whose story doesn’t suggest he might be a prolific control freak at first. The Skin I Live In can be separated into a few pieces. While sympathy is rarely given to such contemptible people, there are numerous times when this happens. Each role is inherently flawed in some way. What I loved about this was the intertwining character specifics and, that they cause a conflict of interest. The film moves between flashbacks and the present time to give background details for both Robert and his guinea pig, Vera. Released in 2011 and directed by Pedro Almodóvar, The Skin I Live in is a Spanish language movie with a totally bonkers storyline.Ī nonlinear storyline helps ease into the surprise of surgeon Robert Ledgard giving his subject a complete overhaul. Apart from those similarities The Skin I Live In is original and mostly incomparable to anything else. Both feature a surgeon and both surgeons are heavily into face-swapping to get what they want. The story has been likened to the 1960 horror film, Eyes Without a Face. If you enjoy psychological thrillers with a science-fiction edge, you can’t go wrong with either of these films. I have not specifically spoiled either film too much though. It’s impossible to talk about these two movies in full without spoiling the big reveal so If you’ve not seen either film, back away quietly. Both The Skin I Live In (2011) and Elizabeth Harvest (2018) is great examples of nightmare scenarios.
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